Mindblowing avalanches of hip-hop, a (whisper it) indie renaissance and the ever-growing dominance of an endlessly inventive electronic scene: by anybody’s standards, 2013 has been the best year for music in some time. As everyone’s music taste has steadily melted into one gigantic crossover success, the genre divides have seemed less important than ever. In a year where ‘Get Lucky’ led a disco revival, Kanye went full space-cadet, and Bowie had a number one album, these were my favourite records.
Thanks for reading, see you in 2014!
10. Psychic – Darkside
Nicolas Jaar’s woozy, skittish techno made a longform return in October, as he returned with guitarist Dave Harrington in his side-project, Darkside. Having early in the year released their gorgeous album-remix of Random Access Memories, their third LP was a more experimental affair, adding dub beats and fuzz to the cyclical, disjointed Jaar sound. It’s minimalism calls to mind the 90s techno elite (Hawtin, Villalobos etc), but it also incorporates the space-prog and psychedelia alluded to in the band’s name – it’s techno-progrock fusion, undulating on whirring beats and strung out riffs, looping through the dark side of your mind.
9. Settle – Disclosure
Omnipresent thanks to its inescapable string of singles, the Lawrence brothers’ Settle was just one of the years’ fantastic mainstream successes. Brain-wiping repetitive beats, giant hooks, and a raft of excellent guest vocalists allowed the album to dominate the summer, zinging dance-pop, heavily indebted to late 90s garage, that was as suited to drivetime sing-alongs as mindless gurnathons. Get past the singles’ over-exposure, put it back on, and just try and sit still.
8. FIDLAR – FIDLAR
Dumb surf-punk will always have a place in my heart, and in 2013, FIDLAR did it best. Though Light Up Gold beat the Strokes at their own game and Wavves put out a decent second LP, only these LA boys were operating at a Black Lips level of debauchery and young-dumb-fun. Pure sex, drugs and rock n roll, I’ve played this again and again since February and thanks to its stellar hooks and sheer euphoric delivery, it’s still fresh. If you enjoy getting buzzed and shouting, this is the album for you.
7. Zomby – With Love
Following in the footsteps of Actress and Pantha du Prince, 2013 brought us a newly delicate, emotive Zomby – on record, if not in reality. Dark paranoia, lush instrumentation and beats from jungle, garage, dubstep and hip-hop pulsed through this double album, interspersed with miniature symphonies that were more classical than electronic. Spacious, beautiful and complex, With Love only grows with each listen.
6. Arc – Everything Everything
Taut, rhythmic indie has been stuck on the back-burner since Bloc Party and Franz Ferdinand were relevant, but in January, it hit boiling point again with Arc. Stuffed with riffs, witticisms and creativity, it was a colossal follow-up album for the Mancunians – all electronic-influenced indie with wordplay worthy of the most tongue-twisting MCs. The gun-fire percussion and razorsharp guitars combine to hysterical effect, building complex songs that are catchy enough to be termed pop.