Finally, Rock and Rolle’s BEST albums of 2013, the top five!
For numbers ten to six, click here.
It’s been a vintage year, but these are the albums I’ve come back to again and again – obsessed over, agonised over, adored. Here’s the order of my list that it’s in.
5. The Marshall Mathers LP 2 – Eminem
The sequel to a much revered classic by a living legend, MMLP2 had a lot of scope for ending terribly. Instead, we were treated to the best Eminem album in a decade – packed with furious flow, fantastic wordplay and the full spectrum of human emotions. The immediate high of the scattered call-backs to his earlier works remain a thrill; but it’s an album that reveals more with every listen thanks to the sheer complexity of the rhymes. Even just taking phenomenal opener ‘Bad Guy’, hook-laden ‘Rhyme or Reason’, speed-of-light ‘Rap God’ and earworn ‘Dangerous’, this was one of the most impressive and entertaining records around.
4. Random Access Memories – Daft Punk
Forget how many times you’ve heard ‘Get Lucky’ in the last 6 months and remember how you first heard it. A slice of pure, irresistible funk – a perfect pop song? Then mounting anticipation; frantic commentary on the game-changing natures of Discovery and Homework whipped up with a teasing, enticing marketing campaign. Unbelievably, Random Access Memories lived up to all the hype. Prog, funk and jazz, live recordings and not of 4/4 beat to be found confounded expectations, once again throwing electronic conventions out of the window. From the first over-excited stream to the latest replay, this is an uplifting, fresh album, cleverly bringing together the past and future. And ‘Giorgio by Moroder’ was the best track of 2013, which helps.
3. Holy Fire – Foals
The best guitar-based record of the year comes from Oxford, the formerly spiky mathrockers turned luxuriant indie stadium rockers Foals. Building on the spatial, instrumental expanses of Total Life Forever, their third record saw them hit a new creative peak. It’s an album that creeps out of the speakers, from the slow-burn intensity of ‘Prelude’, through the anthemic ‘Inhaler’ to the sheer pop of ‘My Number’ – a single that demanded sun and bright blue skies. Carefully constructed, Holy Fire yields gorgeous lilting riffs, explosive rhythms and a newfound rock and roll crunch that entirely suits Foals. Beyond the singles, there’s an excess of massive indie to enjoy here.
2. Acid Rap – Chance The Rapper
Cutting above Kanye, A$AP, Jigga and the rest, the best hip-hop record for me this year was a free mixtape, from a 20 year old Chicagoan. Yelping and cartoonish, his style brings to mind early Eminem – but there was none of the aggression or insanity that characterised Slim Shady present here, but more the anti-gangsta analysis of Kendrick and early Kanye. Those are some colossal comparisons, but if Chance isn’t a household name by 2020, I’ll eat my blog. Alternately woozy and cartoonish, Acid Rap was off-the-walls, ADHD bursting with ideas and pop hooks. Infectiously good-natured, it will soon have you grinning and languidly struggling to keep up.
1. Overgrown – James Blake
Much as I am loathe to agree with the Mercury Prize, James Blake came a long, long way in 2013. Long gone is the dubstep, as is the taut, silent spacing of his 2011 debut. Instead, he brought us a disjointed, incredibly emotive brand of electronic soul and R&B, with both the trademark dubby shakes and voice-cracking melodies still present. Fragile beauty and a sense of yearning dominate Overgrown, but the songs are, for all their complexity, ridiculously hummable. There’s no doubt Blake is taking himself seriously, but the intimacy of ‘Retrograde’, ‘Life Round Here’ and the rest is utterly immersive; sensual, intricate, and like nothing else you’ve heard this year.